It was my first time to shoot redscale film even after shooting film for four years. I'm telling you, I'm not experimental on things. I've said this before, I'm sure. I do things, and when I see that the way I do them works, I will stick to it for as long as I can.
I never bought any redscale film for a simple reason: I don't dig the red-stricken photos. So, it was only sensible that I spend my hard-earned money on films that I already enjoy or aspire shooting with, than on film that I'm not interested that much.
Good thing that last December, my Emulsive Secret Santa got me a loot of film photography goodies with a roll of Rollei Redbird in it. I've asked around the #believeinfilm community in Twitter (basically a bunch of awesome, helpful people) and researched a bit about it before popping it into my Minolta X-500 (my latest acquired SLR camera!)
Redbird was fresh and rated at 400, but to consider that I was going to shoot the other side of the film where there is a lot less of transparency (hence, the red tint), I shot it at ISO 100. Now that I've tried it, I was proven otherwise. I enjoy seeing the results :)
I did not know I would like seeing red and yellow until I saw them on my own photos. Ahh, science <3
And to add more fascination, I also got this awesome bluish tint on some of the frames. I'm trying to remember the settings I shot them with so I'd take note of it for my next redscale film. I really like this blue wash :)
If I get the chance to shoot with another redscale film, I would probably spend shooting the entire roll outdoors, in landscape and architecture, where there are a lot more details and shadows to play with.
In the end, I'm glad I get to try it. On a normal shooting day, I would enjoy more the actual shoot than seeing the results. But with redscale, it was the other way around. Variety is good, sometimes :) Note to self.